AN exhibition of work inspired by Kurt Schwitters is set to open at the Merz Barn, in the Langdale valley, this month.

Pieces by more than 20 Green Door artists, including paintings, prints, collages, sculptures, ceramics and diorama, will be on display from Sunday September 24 to Thursday October 12.

Exhibiting artists include: Gordon Baddeley, Roger Bell, Averyl Bradbrook, Barbra Cropper, John Davenport, Ann Marie Foster, Janet Graves, Mike Healey, Marion Kuit, Cally Lawson, Karen Lester, Richard Light, Anne MacKinnon, Marjorie Park, Ana Sequeira, Elizabeth Shorrock, Keith Shorrock, Steve Trevillion, Geraldine Walkington, Andy Wild, Frances Winder.

Members of Green Door, the region’s leading artists’ collective, were invited to visit the iconic Cylinders Estate in the Langdale Valley, home of Kurt Schwitters’ Merz Barn, to create new work inspired by the work of Schwitters or by the barn and its surroundings.

In her artwork titled Hood E, Ann Marie Foster references the papery territory of Schwitters and his use of the discarded debris of the every day.

She says: "I took faded paper patterns used in dressmaking and collaged them to create another layer of meaning.

"These opaque, ghostly papers refer to previous identities of the wearer. The garments carefully constructed from the paper patterns have been shed along with the previous selves that inhabited them.

"In my use of collage materials I’ve contrasted the mechanical nature of the lines imprinted on the paper patterns compared with the fluid, intuitive contours of the figures."

Cally Lawson has created a large collage, inspired by Kurt Schwitters’ collages and his use of found objects.

Beyond the Lines incorporates a reclaimed frame and an old stag skull and antlers. Emulating the colour palette, use of found objects and abstract style of Schwitter’s famous collages, this artwork evolved from the intricate natural lines in the skull’s structure.

Mike Healey has created a complex three-dimensional diorama that is an expression of Schwitters' celebrated claim that perspective is a 'swindle'.

"I have inverted normal perspective, so that images close to the viewer are small whereas objects further away are large, thereby destroying classical Renaissance perspective,” says Mike.

"Within this framework there are smaller, equally dramatic narratives going on in which visual expectations and perspective are constantly usurped."

Green Door administrator Janice Benson says: "Our members have relished the opportunity to create new work in such an inspirational setting.

"Some of them were already familiar with Kurt Schwitters and the Merz Barn project, but others have made their first visit to the Merz Barn and have been stimulated by the beauty of the site and the legacy of Schwitters’ work."

The Merz barn building still stands much as Schwitters left it in 1948. Located in a remote woodland in the heart of the Langdale valley, it serves as a symbolic connection and poignant memorial to the spirit and tenacity of the artist who worked there.

The exhibition will be free to view each day between 10am and 5.30pm.